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2012
Ink and Pencil on Paper
Signed and dated on bottom right hand corner
Unframed Dimensions: 38” x 50” (1168mm x 2032mm)
Consignment for ROOQ Gallery
In Private Collection
It's easy to draw straight lines with a ruler. Or a T-square. Or a drafting machine. Or a computer. It's easy to project a photo onto a blank canvas and copy the projected image faithfully. It's easy to use a grid system when scaling up from smaller photographs. It's easy to follow the converging guidelines representing a two-point perspective. It's not so easy to draw straight lines using nothing but your hand and your eye. With a pen. In ink. Without perspectival guides.
"Building Blocks" is an attempt at free-hand drawing the myriad straight lines of Midtown Manhattan without resorting to mechanical methods. However, by using white ink on black paper, the medium still suggests a linkage to traditional architectural blueprints. That is: the beautiful and smelly dyeline negatives of the original black ink lines and dots on film, rendered using technical pens at now obsolete drafting tables.
2012
Ink and Pencil on Paper
Signed and dated on bottom right hand corner
Unframed Dimensions: 38” x 50” (1168mm x 2032mm)
Consignment for ROOQ Gallery
In Private Collection
It's easy to draw straight lines with a ruler. Or a T-square. Or a drafting machine. Or a computer. It's easy to project a photo onto a blank canvas and copy the projected image faithfully. It's easy to use a grid system when scaling up from smaller photographs. It's easy to follow the converging guidelines representing a two-point perspective. It's not so easy to draw straight lines using nothing but your hand and your eye. With a pen. In ink. Without perspectival guides.
"Building Blocks" is an attempt at free-hand drawing the myriad straight lines of Midtown Manhattan without resorting to mechanical methods. However, by using white ink on black paper, the medium still suggests a linkage to traditional architectural blueprints. That is: the beautiful and smelly dyeline negatives of the original black ink lines and dots on film, rendered using technical pens at now obsolete drafting tables.